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248.143 --- 264-069 --- 264-069 Liturgische gebeden --- Liturgische gebeden --- 248.143 Gebed. Bidden --- Gebed. Bidden

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This is the first book to consider the development of all three cultural heritage institutions – libraries, archives, and museums – and their interactions with society and culture from ancient history to the present day in Western Europe, the United Kingdom, and the United States. The text explores the social and cultural role of these institutions in the societies that created them, as well as the political, economic and social influences on their mission, philosophy, and services and how those changed throughout time. The work provides a thorough background in the topic for graduate students and professionals in the fields of library and information science, archival studies, and museum resource management, preservation, and administration. Arranged chronologically, the story begins with the temple libraries of ancient Sumer, followed the growth and development of governmental and private libraries in ancient Greece and Rome, the influence of Asia and Islam on Western library development, the role of Christianity in the preservation of ancient literature as well as the skills of reading and writing during the Middle Ages, and the coming of the Renaissance and the rise of the university library. It continues by tracing the gradual division between archives and libraries and the growth of governmental and private libraries as independent institutions during and after the Renaissance and through the Enlightenment, and the development of public and private museums from the “cabinets of curiousities” of private collectors beginning in the 17th century. Individual chapters explore the further growth and development of libraries, archives, and museums in the 19th and 20th centuries, exploring the public library and public museum movements of those centuries, as well as the rise of the governmental and institutional archive. The final chapter discusses the growing collaboration between and even convergence of these institutions in the 21st century and the impact of modern information technology, and makes predictions about the future of all three institutions.

Libraries --- Archives --- Museums --- Cultural property --- History. --- Protection. --- 025.17 --- 069 --- 02 <09> <4> --- 02 <09> <4> Bibliotheekwezen:--algemene geschiedenis--Europa --- Bibliotheekwezen:--algemene geschiedenis--Europa --- 069 Permanente tentoonstellingen. Musea --- Permanente tentoonstellingen. Musea --- 025.17 Bibliotheekbeheer: speciale collecties --- Bibliotheekbeheer: speciale collecties

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The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future. For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed. What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.

Art museums --- Art museum architecture --- Museum techniques --- History --- Social aspects --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Museology --- Museum architecture --- Galleries and museums --- Technique --- kunst --- kunst en architectuur --- kunsttheorie --- 7.078 --- 069 --- museologie --- musea --- art museums [buildings] --- Architecture --- Social aspects. --- Applied museology --- Museography --- Museum practices --- Museum studies --- museumarchitectuur

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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer insights from diverse contexts and geographies. These texts examine a year-long program at the Schwules Museum Berlin focused on the perspectives of women, lesbian, inter, non-binary, and trans people at the Schwules Museum; the formation of the Queer Trans Intersex People of Colour Narratives Collective in Brighton; Métis Kitchen Table Talks, organized around indigenous knowledge practices in Canada; complex navigations of motherhood and censorship in China; the rethinking of institutions together with First Nations artists in Melbourne; the reanimation of collectivity in immigrant and diasporic contexts in welfare state spaces in Vienna and Stockholm; struggles against Japanese vagina censorship; and an imagined museum of care for Rojava. Strategies include cripping and decolonizing as well as emergent forms of digital caring labor, including curating, hacking, and organizing online drag parties for pandemic times.

kunst --- ecologie --- politiek --- homoseksualiteit --- gender studies --- feminisme --- eenentwintigste eeuw --- 7.039 --- 069 --- museologie --- tentoonstellingen --- Museology --- Sociology of the family. Sociology of sexuality --- Art --- curating --- Art museums --- Curatorship --- Social justice. --- Museums --- Feminism and art. --- Museums and sexual minorities. --- Sexual minorities in art. --- Musées d'art --- Conservation --- Justice sociale --- Musées --- Féminisme et art --- Musées et minorités sexuelles --- Minorités sexuelles dans l'art --- Social aspects. --- Aspect social

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What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today.

Museology --- Art --- exhibitions [events] --- digital art [visual works] --- exhibition curators --- artists [visual artists] --- New media art --- Computer art --- Art and the Internet --- Curatorship --- kunst --- 069 --- 7.039 --- eenentwintigste eeuw --- museologie --- tentoonstellingen --- digital art --- digitale kunst --- kunsttheorie --- Arts, Modern --- Internet and art --- Internet --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Art, Computer --- Computer craft --- Digital art --- Curating --- Curatorial practice --- Exhibition techniques --- Display techniques --- curating --- computer art [visual works] --- new media art --- New media art. --- Computer art. --- Art and the Internet. --- Curatorship. --- Art museum curators. --- Exhibition techniques. --- net art --- Video art --- Installations (Art) --- Museologie ; cureren van tentoonstellingen --- Nieuwe media ; digitale kunsten --- Kunst; Digitale kunst --- 069.4 --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Art numérique --- Commissaires d'exposition. --- Expositions artistiques. --- Expositions.